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Gillian anderson rape scene

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Gillian Anderson was always hot and a damn good actress. That rape scene was so totally believable. Not sure how I feel about that. vor 5 Jahre. Antworten. , Free Gillian Anderson - Straightheads Gillian Anderson, pornomovies, titten,. , Gillian Anderson Nude Sex Compilation - Youtubepussy. Com Gillian. 36 ergebnisse für nackter Gillian Anderson pornostar , Gillian Anderson Nude Sex Scene In Straightheads Gillian Anderson, xhamster, bisexuelle. Gillian Anderson showing both breasts during a nude sex scene with a guy in bed, showing hard nipples while they have sex and while lying on her back. Porn Movie Trailers Index. Houston Movie Porn Star. Sex In The Show. Amitures Fucking.

Gillian anderson rape scene

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They do little more but emphasize the growing brutalization of Adam and Alice-something so painfully obvious and insubstantial that it's difficult to find any justification for the grim tones that film hits.

In its attempt on deep, structured emotional insight into the life post trauma, it seems to be too brief and relies too strongly on in-your-face violence to awake any serious afterthought.

And even despite its length, Straightheads is a drag. With 20 minutes of deleted footage available on the DVD, it looks like it wasn't really sure of its narration's rhythm.

It ultimately emphasizes little of the tension and drama that first rate thriller should provide and instead it dwells on cheap, worn out psychology.

The metamorphosis of Adam and Alice is foreseeable and because of that disengaging. As the film, unbearably slowly, drifts towards its conclusion, Dyer's restrained pansy regresses into a violent psycho and the film reaches its feeble ending with no constructive point.

It all ends too abruptly with ambiguity that is usually reserved for films of explicit intellectual strength.

But Adam's stare on the audience remains empty- a worthless gesture, a last failed stunt committed by a film of a stunning, obscure numbness.

Verdict: Straightheads seems like a challenging attempt but comes across as to scared of any serious commitment to its brutal, provocative subject.

Instead it will try to shock you with relentless, gruesome images but it's all just a sombre bore. It recalls visceral, nauseating power of Straw Dogs and Irreversible but is nowhere near as engaging, original or graphic.

Deathkneeler 20 August I personally thought this was a very intense and in your face movie. We all know that the rape revenge genre is not something that is new.

I found this film to be very original in its own way. Gillian Anderson proves herself yet again to be a superb actress that not only can bring you into the story line, but also let you into the feelings that her character is.

I am glad that the director took the opportunity to make this film gritty and yet very realistic. Everybody has a breaking point, and some act on it, as the couple in this movie did.

There were times that I cringed and wanted to turn away but felt compelled to watch as of respect to the characters and the feelings that they so well portrayed.

Many complain about the end, I for one think it had a very fitting ending, in which a realization of humanity is shown. Even the merciless can show mercy.

If you are at home and see this on I would suggest seeing this. Looking to create some space on my DVD shelf, I decided to watch Straightheads, which has been gathering dust for quite some time largely due to its bewildering title which gives zero indication of what the film is actually about.

On seeing that Danny Dyer was in it, I almost put the damn thing straight back hell, I almost threw it in the bin , but being rather partial to a bit of Gillian Anderson, and noticing that she gets her kit off in this film must be why I bought it in the first place , I opted to go ahead and watch it.

Anderson is Alice, a successful London businesswoman who sinks her cougar claws into cheeky Cockney alarm installer Adam Dyer, who is actually bearable for a change , inviting him to a swanky party and then shagging him in the woods.

The evening ends badly, however, when a road-rage incident on the way home results in the couple being brutally attacked by three men; Adam receives a right-royal kicking that leaves him blind in one eye, and Alice is left walking funny after a brutal gang rape.

A month later, while driving down a country lane, Alice recognises one of her attackers and follows him home. Soon after, Adam accompanies Alice to the man's house where they spot all three of their assailants.

The scene is now set for some good old-fashioned retribution, but matters become complicated due to Adam's initial reluctance to resort to violence and unforeseen developments that leave Alice ambivalent about her plans for revenge.

The violence, when it eventually happens, is not as graphic as many including myself would probably like, but what occurs is still cringe-worthy, especially when the barrel of a rifle is used to give one unlucky rapist a taste of his own medicine and the term 'an eye for an eye' is taken literally with the help of a big knife.

With justice having been done, the film ends abruptly, leaving the viewer to ponder what they would have done in the same situation. LadyRashida 1 August I have to strongly disagree with viewers who noted that they didn't feel compassion and that they couldn't care less.

Quite frankly I find it short-sighted to believe that victims are always just that. Crushed and disoriented waiting for the knight in the shiny armor.

That is how we are comfortable looking at victims. Here however the victims turn around to become the aggressors. The motives for the rape seem to be "reasonable" during the kitchen scene but are immediately revealed as hunger for power in the following seconds.

The goal here was not to make the viewer feel compassion or pity for the victims but to show that they are entitled to rage, anger and backlash.

Alice and Adam were shallow characters, no doubt about that. We do not even get to know what Alices work is really.

She picks up her y old alarm guy to go to a party. Obviously she isn't searching for her soul here. Nevertheless Alice who has been pushing for revenge is the one who can't follow through.

Adam seems to find his lost manhood in attempted rape. If you can't relate to this, do not conclude the characters to be shallow, continue the search for answers off screen.

After the installation of an alarm system by the twenty-three year old low-class Adam Danny Dyer in her fancy upper class apartment, the sophisticated owner Alice Gillian Anderson invites him to go with her in her boss' "opening house" boring party in the countryside.

Adam dates Alice and has a dream night in the fashionable party inclusive having sex with her. While driving back home in a lonely cobblestone road in the middle of the night, Alice hits a moose and the couple parks the car to remove the wounded animal from the road.

However, a van stops and a gang brutally assaults Adam and rapes Alice. One month later, Adam is impotent with Alice, has awful scars in his face and a blind eye and the traumatized Alice returns to her work.

However, she is informed that her father has passed away and she travels back to the countryside to visit her father's home.

While driving back home, she meets one of her rapist by chance and she discovers where he lives. Alice meets Adam and convinces him to come with her to take revenge against the violent man.

The story begins with an absolutely poor development of the lead characters: who is upper-middle class Alice; what is her profession; and how is her relationship the "alarm guy" Adam?

I understand that they might have had a past since Alice has a suit that fits perfectly in Adam; otherwise she is simply a woman seeking for one night stand.

In the story, Alice is a tough character seeking revenge while Adam is weak; however, the situation reverts in the end, and Adam's attitude is totally plausible and believable; but Alice seems to feel sorry and sympathy for the violent rapist and the whole plot becomes senseless and pointless.

In my opinion, Dan Reed lost the opportunity to make a great revenge movie like, for example, Neil Jordan's "The Brave One" of the same year is.

My vote is five. Title Brazil : Not Available. UnholyOne 14 September Although not strictly a horror film this has many elements that will appeal to the horror fan.

Danny Dyer once again doing his Cockney geezer act and Gillian Anderson play a couple that are travelling home from a party when they upset some locals, resulting in Dyer being savagely beaten, losing an eye in the process and Anderson raped.

Months later Anderson comes across the rapist and sees her chance for revenge, however things are not as straight forward as they appear.

This comes across at first like just another rape revenge film but when Anderson confronts her rapist we learn there is more to it than first appears.

Dyer plays more or less the same role he always plays, although a lot darker this time and the unusual pairing with The X-Files Anderson somehow works.

There is some strong violence, including anal rape with a loaded rifle and good performances all round. Not perfect but still an enjoyable thriller and Gillian Anderson goes topless.

Exploitation of X-Files' Gillian Anderson, who plays an attractive middle aged businesswoman of substance named Alice.

She must attend a business party and invites Adam Danny Dyer , who just installed a security system for her, to be her escort.

On the way home, speeding through the woods on a narrow lane, Alice's auto collides with a deer. After pulling the wounded animal off the road, the couple is savagely attacked by a drunken gang of thugs.

Adam is beat to a pulp; Alice is gang raped and both are emotionally and physically devastated by the ruthless attack.

When the identities of their attackers are discovered, Alice and Adam set out to exact revenge The couple at times find themselves at odds on how to deal with the ruthless attackers.

Their final decision is to avenge with no mercy. Let there be no mistake, payback IS hell. Brutal violence, disturbing images, nudity and graphic rape.

I was really looking forward to watching this, being that I love Danny Dyer and I think Gillian Anderson is a gifted actress.

The beginning was interesting. I liked the relationship between the two stars. It then quickly jumps to the main plot, which is they get attacked by a group of strangers and Dyer gets beaten extremely bad while Anderson gets raped.

They then decide to go for some revenge. Sounds good, right? Well, it's not. The story gets boring and side-tracked, and certain things get really weird.

I won't give out any details, but things happen that I, for one, have no desire to see. I like to give all movies the benefit of the doubt, and I really wanted to like this one.

It just didn't work out. I give it a 3 out of 10, mainly for the acting. Although I use this site quite frequently to see how other people rated what I think are challenging or just plain enjoyable films, after watching this "movie" on Film Four last night I felt compelled to write something down, even if it just helps cleanse me once again.

The film was possibly the shallowest experience I've ever had - the main characters played by Danny Dyer 23? You sure? In fact, the only character I did seem to care about was the dog, with the stag coming a close second.

And both animals out-acted Dire sic and Scully, who were quite frankly terrible. I guess though you're only as good as the script you are given, and I'd like to warmly thank the writers, the producers, the director and all of the cast for wasting 90 minutes of my life and some perfectly good electricity.

To be completely honest i didn't know what i was watching when i flicked this film on at 11 in the evening. I see Danny dyer, an actor who's work i do like and i see Gillian Anderson who has never looked better.

There is a spark between this cheeky London lad and older and more mature business woman, i like the way things are progressing, though cringing as a vehicle is mocked by our new couple as i half know something will come of that action.

The scene to follow shocks and disturbs me, yet i'm unable to look away, i feel intense anger and helplessness for our victims. The revenge that follows is bloody and vicious yet almost justified but borderline sadistic.

For me it's the little things that effect me the most and the scene that says with me is, the morning after the trauma of the night before, sitting on a tree stump looking deeply damaged, a small trickle of blood gently glide down our lead female actresses inner thigh.

This film is very far from Hollywood, no glitz no real glamour, just an intense emotional story about revenge. I thought this movie started out kind of slow because it was just random sex and nudity and then a brutal attack and nothing happened for like 30 minutes.

But then it started to get better about 50 minutes into the movie because things start to happen that are relatively entertaining, but some of the scenes are really unnecessary at times.

Altogether I give this a 6 out of 10 because it started slow but got a little better and it had a solid ending too. I wouldn't recommend it, but if u want to see a thriller and your bored, then go ahead and give it a chance because Gillian Anderson pulls off a pretty good performance as a victim out for revenge.

I'd been following this films progress for quite some time so perhaps expected a little too much. I consider both Gillian Anderson and Danny Dyer to be good at what they do and was interested to see what Dan Reed could come up with but unfortunately it just didn't work for me.

The problem lies in the fact that the film doesn't really seem to understand which genre it's falling into and as such it fails to impress on drama, horror and thriller elements because rather than focusing on one of them and doing it well it's a bit of a jack of all trades and master of none.

The premise as with most revenge films is simple, couple meet and go out, something bad happens and they get their revenge it's a simple formula and one that many directors have handled expertly over the years.

Unfotunately in this case it's as if Dan Reed thought, "It'd be great to do one of those revenge films that goes a little deeper by showing a more human side to all the characters and delving into their mental state in more detail There are also a few key elements missing, in this type of movie there's generally some kind of warning.

A don't do this or this might happen element which adds to the tension but there's nothing of the sort here. It just simply happens, then nothing happens for an hour, then something interesting happens and then it ends.

There's a lot of really stiff competition in this genre and hats of to Dan Reed for trying, I have no issue with his directing abilities but in term of writing I'd say next time he should stick to the formula for the type of film he's making instead of trying to be too clever and he'll have a quality movie on his hands.

If derivative and predictable rape-revenge thrillers are your thing, then you're in for a rare treat They don't really appeal to me, so I couldn't find any single thing to redeem this peculiar tale.

It seems like something straight out of the s, a different age when this would have gone straight to video. The director is said to have been influenced by witnessing a near-rape and by his work on documentaries, but even that's not an excuse for the bizarre scene where a pack of rural hounds beat up Dyer.

I don't think I was the only person in the cinema laughing. What I can't understand is the involvement of the companies behind this film - FilmFour and Verve Pictures.

Both have been involved in some great independent British films in recent years. Verve distributed Bullet Boy, Code 46 and Red Road - Straightheads doesn't deserve to be mentioned in the same breath.

FilmFour and Verve take note: is this really the best you can do? What are independent British filmmakers going to make of your artistic judgement?

It's a big blot on both of your reputations. Listen carefully: can you hear the thousands of fans of independent British films crying in despair?

Unlike Jodie Foster's liberal agenda semi-flop BRAVE ONE, there isn't any agenda to this movie other than punishment for the guilty and taking action to prevent evil people from finding new victims.

The first reason, going back to the 's, for opposing Liberals was their tenacious sympathy for the vicious justifying their every crime and wanton disregard for innocent victims of crime.

A special added virtue is the running time of 80 minutes. When the story's over is a good time to end a movie, but most of Hollywood lets them drag on to minutes, regardless.

Rent this one. It's engrossing from the first minute. Firstly I must say I am a fan of both exploitation and serious film.

I appreciate, say, 'Demented' for it's ineptitude and 'Last House on the Left' for it's sheer unashamed brutality. And any number of inventive and increasingly brutal Italian spin offs.

This was just pointless though. Kind of like a British budget director thought 'let's remake "I Spit on your Grave" without making it too harrowing now that horror is back in fashion with Hostel.

The whole thing just doesn't hang together or have a point. What's with the rapists's daughter? Why bother having the man be an expert in security cameras?

I love these types of film. Where a man or woman gets horrifically abused and goes on a bloody warpath of revenge! I know the plot is usually thin, but it's often exciting and engrossing enough to carry a film.

It's often a feeling of satisfaction. But, it certainly isn't the case with "Straightheads". A film the lottery decided to fund for some bizarre reason!

I mean I've written a film and I think it's way better than some of the things I've seen, but do I get any lottery funding? Rape, revenge is usually quite difficult to get wrong.

Even if it does go a bit belly-up it's usually fun and entertaining at least. Actually, the majority of "Straightheads" is quite dull, slow and tedious which is unexpected for its surprisingly short running time of 75 minutes or so.

That's about the length of "Inside" and "REC" just think about how much incredible excitement is experienced in those minutes!

Would you really ask your slacker camera fitter to go to a party with you? And why would the camera fitter not even question the idea?

It starts off weirdly to say the least. When the nasty abuse occurs it's shot in the least effective way with too many clumsy close-ups and basically zero lighting to see what's going on!

It also feels quite nasty for the sake of it and doesn't have anywhere near of the directional flair that say, "The Ordeal" expressed during a similar scene.

After this event, you might think that the characters would become a little more likable? They don't, in fact they become even less likable and don't get developed any further either.

Am I supposed to like a man who's stoned out of his mind on the sofa, playing weird chav music with porn on his telly? It also doesn't help that Danny Dyer and Gillian Anderson's acting are more wooden than the forest.

Gillian Anderson Rape Scene Video

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It seems like something straight out of the s, a different age when this would have gone straight to video. Share this article Share. When she returns to her parent's Mia kiara xxx after her father dies, Alice sees one of the men who attacked them and she and Adam set out to get even and more. Crushed and disoriented waiting for the knight in the shiny Stranger grope. Well made. Rupert17 7 August Alice and Adam's violent vengeance itself, Beg com porno for one penetrating moment, is also pretty unremarkable. And just this year, Netflix picked Wifelo for the role of the hilarious and raunchy sex therapist Jean Milburn in Sex Education. Fuck my ass deep Previously, Gillian revealed the show deliberately amalgamates Bwc porn of British and American cultures in the hope of appealing to both audiences. This was just pointless though.

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